Huge kudos, too, for costumer Pam Krage’s tour de force job in outfitting such a large cast and doing so with some very nice pieces that really add to the show’s look.įor a production with the array of technical demands this show has - lighting, sound, getting people and things on and offstage - opening night went off almost, but not quite, without a hitch. Besides the high level of acting talent he brings to it, songs like “Easy to Love” are a really nice showcase for his voice. Steven Kiss is superb as Billy Crocker, a role that seems right for him in so many ways. She’s also surrounded by a fine cast in the other main roles. Reno is one of those iconic roles in musical theater, and Woolcott most certainly does her character proud. She’s the full package as a triple-threat performer (actor, singer, dancer), and she’s solid and spot-on every time she’s on stage. Playing the role of Reno Sweeney, Amber Woollcott anchors everything that’s going on around her and does it perfectly. The tremendously talented cast sings and dances up a storm, the orchestra sounds fantastic, and the way the choreography and the staging unfold are both outstanding. “Anything Goes” is a glorious celebration of all that’s great about early-to-mid-20th century American musical theater, and the Croswell’s production of it is terrific on all levels. And many of his biggest hits are found in “Anything Goes,” his 1934 musical that’s now onstage at the Croswell Opera House. ADRIAN - When it comes to the canon of music labeled the Great American Songbook, Cole Porter was as much responsible for its contents as anyone.Īfter all, a whole raft of tunes that became classics came from his creative genius.
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